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O Magazine

2015-2017

Subtitling for the love of thy neighbour, or new Christianity is here

Marga Durá

Let’s get physical

Mar Calpena

LEMONADE vs. THE REAL BEYONCÉ

Ben Tuthill

Brian Clough’s station in hell and the dawn of football

Alexandre Serrano

Ecstasy and rapture. An interview with María Cañas

Pau Atienza y Morrosko Vila-San-Juan

The validity of certain female archetypes.

Violeta Kovacsics

The obsolescence of certain female archetypes.

Eulalia Iglesias

PARQUET COURTS vs. EVERYDAY LIFE

Ben Tuthill

The rains of (Castamere) Lesbos

Aarón Rodríguez Serrano

Egon Schiele’s Instagram account.

Déborah García

Bleu de travail

Jordi Duró

Vegetarian guilt

Jordi Costa

MINNESOTA NICE vs. THIS THING CALLED LIFE

Ben Tuthill

Accept the mystery

Gerard Casau

Modern martyrology

Enric Ros

A conversation: Isabel Fernández Reviriego / Jorge de Cascante

O

Friends for life

Sergi Sánchez

Bowie: Faraway, So Close!

Carolina Prada

CARLY RAE JEPSEN vs. CYBERTWEE

Ben Tuthill

Black fumetto

Jordi Costa

Ten classics of sublime kitsch

Óscar del Pozo

ALI MITGUTSCH / IMITATION OF LIFE

Joan Pons

Reading glasses. The ultra high definition myth and other retinal fantasies

Rubén Lardín

A canon of Herzogian heroes.

Alexandre Serrano

HUNGRY HEART vs. THE BERLIN WALL

Ben Tuthill

The thin line between eminence and degeneracy

Jordi Costa

Tinder. Infinite faces for sale. Part 2, VR edition

Victor Navarro Remesal

The Coen brothers/Guy Maddin. Fragments.

Aarón Rodríguez Serrano

Slow gaming, notes for a contemplative game

Victor Navarro Remesal

Ballard and films. Empires, skyscrapers and atrocities

Quim Casas

Anti-system rebound

Joan Pons

A dimensional house party

Jordi Costa

Blowing up. When music and television sets collide

Gerard Casau

CHIEF KEEF vs. THE CENTER

Ben Tuthill

An interview with Richard McGuire: “I want all my work to be fun and at the same time a bit avant-garde”

Kiko Amat

Songs as gags

Violeta Kovacsics