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O Magazine

2015-2017

WIGGLE IT, JUST A LITTLE BIT…

Patricia Valero

AN INTERVIEW WITH MORABEL: “I’M THE CHANEL OF THE GYPSY WORLD”

Aïda Camprubi

Can: the philosopher’s rock

Jaime Gonzalo

The Flying Luna Clipper: the chiptune film that could have been

Victor Navarro Remesal

Fatal acceleration

Ignacio Julià

Howe Gelb: A soundwriter in the desert

Nando Cruz

IT’S ALL DOWN TO SURFING

Joan Pons

CHUCK JONES: BEEP BEEP

Quim Casas

Back to the beginning.

Alexandre Serrano

Three minutes to the end of the world. Transmission 1

Kikol Grau

Things I do while you work. Today: I’m off to Prague.

Diana Aller

Cervantes, that anarchist against the system

Jaime Gonzalo

What La ley del deseo meant to me thirty years ago and what it means now

Óscar del Pozo

Por amor al chile. By Pablo Zamora

Pablo Zamora

Derek Jarman: super-8 pop

Marcos Gendre

YOU CAN’T HAVE IT ALL

Glòria Bonet

WES ANDERSON: I COLLECT, THEREFORE I AM

Déborah García

God’s rave

Estefanía Guilarte

Superchunk: Eating well will keep your band together for longer.

Nando Cruz

Scopitones: the world for a one-hundred-franc coin

Felipe Cabrerizo

Expectations

Joan Pons

HOLLYWOOD BABALON: THE ART OF BRIAN BUTLER

Javier Calvo

A guy from Belgium called Tom Galle

Valerie Steenhaut

A SLEEPWALKING WALK AROUND THE NICOLÁS HOUSE-MUSEUM

Aïda Camprubi

I don’t like your gun! Part two

Joan Pons

A spontaneous canon

Gerard Casau

INSTAGRAM BEFORE INSTAGRAM.

Déborah García

Make TV Great Again

Begoña Gómez

OscarSoBlack

Eulalia Iglesias

Tell-tales a dime a dozen

Alexandre Serrano

Moon Wiring Club’s Edwardian England

Marcos Gendre

False friends: 6. Rocco Siffredi

Rubén Lardín

HH:MM:SS – Close your eyes

Iban Petit

The rebellion of robot mates

Victor Navarro Remesal

An apology of the bastard crossover, or how to get over (in two times) the popular v. cult film dichotomy

Carlos Losilla

Don’t give up your day job

Ignacio Julià